Helmut H. Diederichs

Schriften von Rudolf Arnheim zu Kunst, Psychologie und Kunstpsychologie (Art, Psychology and Psychology of Art)

Bibliographische Quellen / Bibliographic Sources:

- Duncan, Elmer H. (ed.): Twenty Years Cumulative Index to the Journal of Aesthetics and Art Criticism, Volumes 1-20, 1941-1962, New York: AMS Reprint Company, pp. 8-9.
- Bibliography of Rudolf Arnheim, compiled by Mary Arnheim, Cambridge, Mass., May 1974, 30 p.
- Rudolf Arnheim, Verzeichnis seiner Schriften. Auszug aus einer von Mary Arnheim verfaßten Zusammenstellung. In: derselbe: Entropie und Kunst. Ein Versuch über Unordnung und Ordnung, Köln: DuMont Buchverlag 1979, pp. 93-107.
- Rudolf Arnheim, Bibliography of his Writings, 1928-1982, compiled by Mary Arnheim, Ann Arbor, Michigan, February 1983, 44 p.
- Bergmann, Joachim: Die Schaubühne/Die Weltbühne 1905-1933. Bibliographie und Register, Teil 1, München London New York Paris: Saur 1991, pp.11-13.
- Rudolf Arnheim: An International Bibliography oft His Writings. In: The Journal of Aesthetic Education (Champaign, Ill.), Vol. 27, Nr. 4, Winter 1993, pp. 165-189.
- Rudolf Arnheim: Bibliography of Articles, Reviews, Commentaries and Letters published in Leonardo, 1968-2000. Online: http://mitpress2.mit.edu/e-journals/Leonardo/isast/spec.projects/arnheimleobib.html (2003).
- Und eigene Recherchen.

Sammelwerke / Collected Works

- Toward a Psychology of Art = Arnheim, Rudolf: Toward a Psychology of Art. Collected Essays, Berkeley und Los Angeles: University of California Press 1966.
- Zwischenrufe = Arnheim, Rudolf: Zwischenrufe. Kleine Aufsätze aus den Jahren 1926-1940, Leipzig und Weimar: Gustav Kiepenheuer Verlag 1985.
- New Essays on the Psychology of Art = Arnheim, Rudolf: New Essays on the Psychology of Art, Berkeley / Los Angeles / London: University of California Press 1986.
- To the Rescue of Art = Arnheim, Rudolf: To the Rescue of Art. Twenty-six Essays, Berkeley and Los Angeles / Oxford (Engl.): University of California Press 1992.
- The Split and the Structure = Arnheim, Rudolf: The Split and the Structure. Twenty-eight Essays, Berkeley and Los Angeles: University of California Press 1996.

1925

"1925-1928. Reviews published fairly frequently in 'Psychologische Forschung', Berlin".: (Dies vermerkte Mary Arnheim in ihren Bibliographien, das stimmt aber nicht ganz. Studentische Buchbesprechungen Arnheims finden sich nur in den Jahrgängen 1927 und 1928 der Zeitschrift - siehe unten - und sie sind in Quantität - manchmal nur ein kurzer Absatz - und Qualität nicht mit späteren Rezensionen vergleichbar.); (Book Reviews by R. A. in 'Psychologische Forschung' appeared only in 1927 und 1928, see below.)

1926

Der neue Spießer-Spiegel.: Die Weltbühne (Berlin), No. 23, 22. Jg. (= Vol. 22), 8.6.1926, pp. 890-891.; (über/about George Grosz).; Reprint in: Zwischenrufe, pp. 11-13.
So ist es! ist es so?: Die Weltbühne (Berlin), No. 37, 22. Jg., 14.9.1926, pp. 415-418.; (Rezension/Book Review: Christian Bruhn "Gelehrte in Hypnose").
Gustav Sack: Die Weltbühne (Berlin), No. 49, 22. Jg., 7.12.1926, p. 900.

1927

Kandinsky.: Die Weltbühne (Berlin), No. 1, 23. Jg., 4.1.1927, p. 36.; Reprint in: Zwischenrufe, pp. 17-18.
Totenmasken.: Die Weltbühne (Berlin), No. 2, 23. Jg., 11.1.1927, pp. 74-75.; Reprint in: Zwischenrufe, pp. 19-21.
Große Malerei.: Die Weltbühne (Berlin), No. 6, 23. Jg., 8.2.1927, pp. 225-227.; (über Cézanne und van Gogh)
Anita und Henri.: Die Weltbühne (Berlin), No. 7, 23. Jg., 15.2.1927, p. 277.; (über Anita Berber)
Palucca.: Die Weltbühne (Berlin), No. 8, 23. Jg., 22.2.1927, p. 315.; Reprint in: Zwischenrufe, pp. 30-31.
Oskar Kokoschka.: Die Weltbühne (Berlin), No. 10, 23. Jg., 8.3.1927, pp. 393-394.
Neue Sachlichkeit und alter Stumpfsinn.: Die Weltbühne (Berlin), No. 15, 23. Jg., 12.4.1927, pp. 591-592.
Das Bauhaus in Dessau.: Die Weltbühne (Berlin), No. 23, 23. Jg., 7.6.1927, pp. 920-921.; Reprint in: Zwischenrufe, pp. 22-24.
Große Berliner Kunstausstellung.: Die Weltbühne (Berlin), No. 25, 23. Jg., 21.6.1927, pp. 984-986.
Die Stuttgarter Werkbundausstellung.: Die Weltbühne (Berlin), No. 43, 23. Jg., 25.10.1927, pp. 639-643.; (über Le Corbusier etc.)
Utitz, Emil: Charakterologie, Charlottenburg: Pan-Verlag Rolf Heise 1925. ("Referate" / Book Review).
Jahrbuch der Charakterologie, Hrsg. v. Emil Utitz, I.-III. Jag., Charlottenburg: Pan-Verlag Rolf Heise 1925/26. ("Referate" / Book Review).: In: Psychologische Forschung. Zeitschrift für Psychologie und ihre Grenzwissenschaften (Berlin), Vol. 9, 1927, pp. 186-187.
Specht, Wilhelm: Vom Ausdruck der Seele. (Zeitschr. f. d. ges. Neurol. u. Psychiatrie, Bd. 101, 1926, S. 671-700). ("Referate" / Book Review).: In: Psychologische Forschung (Berlin), Vol. 9, 1927, pp. 187-188.
Argelander, A., Peters, W., Scheibner, O.: Jenaer Beiträge zur Jugend- und Erziehungspsychologie, Langensalza: Julius Beltz 1926. ("Referate" / Book Review).: In: Psychologische Forschung (Berlin), Vol. 9, 1927, p. 188.
Saudek, Robert: Wissenschaftliche Graphologie, München: Drei Masken Verlag 1926. ("Referate" / Book Review).: In: Psychologische Forschung (Berlin), Vol. 9, 1927, pp. 188-189.
Lipmann, Otto und Hellmuth Bogen: Naive Physik, Leipzig: J. A. Barth 1923. ("Referate" / Book Review).: In: Psychologische Forschung (Berlin), Vol. 9, 1927, p. 194.
Deutscher Schäferhund-Verein: Beiträge zur Frage der Verwendung von Hunden im Kriminaldienst, Eisenach 1925. ("Referate" / Book Review).: In: Psychologische Forschung (Berlin), Vol. 9, 1927, pp. 195.
Bruhn, Christian: Gelehrte in Hypnose. Zur Psychologie der Überzeugung und des Traumdenkens, Hamburg: Parus 1926. ("Referate" / Book Review).: In: Psychologische Forschung (Berlin), Vol. 9, 1927, pp. 195.
Stern, William: Jugendliche Zeugen in Sittlichkeitsprozessen, Leipzig: Quelle & Meyer 1926. ("Referate" / Book Review).: In: Psychologische Forschung (Berlin), Vol. 9, 1927, pp. 196.
Die gute Form.: In: Arnheim, Rudolf / Schiffer, E. L. / With, Cl. (Hrsg.): Jugend und Welt.; Berlin-Grunewald: Williams & Co. Verlag 1928, pp. 59-75. (erschienen Ende 1927)

1928

Die Kunst im Volke.: In: Die Weltbühne (Berlin), 24. Jg., No. 3, 17.1.1928, pp. 97-100.
Edouard Manet.: In: Die Weltbühne (Berlin), 24. Jg., No. 9, 28.2.1928, pp. 344-346.; Reprint in: Zwischenrufe, pp. 32-34.
Haeberlin, Carl: Das Gefüge des Lebendigen, Karlsruhe: G. Braun 1926. ("Referate" / Book Review).: In: Psychologische Forschung (Berlin), Vol. 10, 1928, pp. 107.
Jaspers, Karl: Philosophische Forschungen, Berlin: Julius Springer. ("Referate" / Book Review).
1. Heft. Otto Mann: Der moderne Dandy. Ein Kulturproblem des 19. Jahrhunderts, 1925.
2. Heft. W. Heinsius: Krisen katholischer Frömmigkeit und Konversionen zum Protestantismus, 1925.
3. Heft. Karl Jaspers: Strindberg und van Gogh. Versuch einer pathographischen Analyse unter vergleichender Heranziehung von Swedenborg und Hölderlin. Zweite, ergänzte Auflage 1926.: In: Psychologische Forschung (Berlin), Vol. 10, 1928, pp. 107-108.
Langer, Richard: Totenmasken. Mit einer Einl.v. Hans W. Gruhle, Leipzig: Georg Thieme 1927. ("Referate" / Book Review).: In: Psychologische Forschung (Berlin), Vol. 10, 1928, pp. 393-394.
Die renovierte Oper.: In: Die Weltbühne (Berlin), 24. Jg., No. 19, 8.5.1928, pp. 721-723.
Die Akademie-Ausstellung.: In: Die Weltbühne (Berlin), 24. Jg., No. 23, 5.6.1928, pp. 867-870.
Experimentell-psychologische Untersuchungen zum Ausdrucksproblem.: Phil. Diss. Berlin: Humboldt-Universität 1928.; In: Psychologische Forschung. Zeitschrift für Psychologie und ihre Grenzwissenschaften (Berlin), Vol. 11, 1928, pp. 2-132.; (Untersuchungen zur Lehre von der Gestalt. IV. Hrsg. v. Max Wertheimer).
Der liebe Gott im Wartezimmer.: In: Die Weltbühne (Berlin), 24. Jg., No. 44, 30.10.1928, pp. 672-675.; (über Religion, Psychologie und Freuds "Die Zukunft einer Illusion").
Der liebe Gott im Wartezimmer. II.: In: Die Weltbühne (Berlin), 24. Jg., No. 45, 6.11.1928, pp. 707-710.
Waschzettel.: In: Die Weltbühne (Berlin), 24. Jg., No. 47, 20.11.1928, pp. 778-780.; (Rezensionen / Book Reviews: Feuilleton-Sammlung von Rudolf Geck; Hans Reimann: "Komponist wider Willen"; Hans Reimann: "Die voll und ganz vollkommene Ehe"; "Die rote Kinderrepublik"; Hermann Kesten: "Josef sucht die Freiheit").
Kleine Feuchtwangerei. Börsenkrach auf Madagaskar.: In: Die Weltbühne (Berlin), 24. Jg., No. 50, 11.12.1928, p. 886.; (Satirische Theaterszene).
Was ist das - Kunst?: In: Arnheim, Rudolf / Schiffer, E. L. (Hrsg.): Jugend und Welt. Band 2.; Berlin-Grunewald: Williams & Co. Verlag o.J. (Ende 1928), S. 54-72.

1929

Unverbindliche Spannung.: In: Die Weltbühne (Berlin), 25. Jg., No. 1, 1.1.1929, pp. 26-28; (Satirische Romanszene nach Edgar Wallace).
Sächsualia.: In: Die Weltbühne (Berlin), 25. Jg., No. 4, 22.1.1929, pp. 138-141.; (Rezension / Book Review: Georges Anquetil "Ehen zu dritt").
Alfred Polgar.: In: Die Weltbühne (Berlin), 25. Jg., No. 6, 5.2.1929, pp. 223-226.; Reprint in: Zwischenrufe, pp. 64-68.
Märchenhafte Begebenheit.: In: Vossische Zeitung (Berlin), 3.4.1929.; (über Tänzerinnen).; Reprint in: Zwischenrufe, pp. 69-72.
Die Nacht vor dem Beil.: In: Die Weltbühne (Berlin), 25. Jg., No. 16, 16.4.1929, pp. 604-605.; (Theaterkritik).
Ludwig Hardt.: In: Die Weltbühne (Berlin), 25. Jg., No. 20, 14.5.1929, pp. 751-752.
Die Schreibschule.: In: Die Weltbühne (Berlin), 25. Jg., No. 23, 4.6.1929, pp. 863-866.; Reprint in: Zwischenrufe, pp. 76-80.
Hausmusik.: In: Vossische Zeitung (Berlin), 20.7.1929.; Reprint in: Zwischenrufe, pp. 81-87.
Zwischen den Menschen.: In: Die Weltbühne (Berlin), 25. Jg., No. 32, 6.8.1929, pp. 204-209.; (über Zwitter).
Heinrich Zille.: In: Die Weltbühne (Berlin), 25. Jg., No. 34, 20.8.1929, pp. 298-299.
Krankenkost.: In: Die Weltbühne (Berlin), 25. Jg., No. 37, 10.9.1929, pp. 406-407.; (über "Happy end" von Brecht und Weill).
Hamlet, Prinz von Oels.: In: Die Weltbühne (Berlin), 25. Jg., No. 40, 1.10.1929, pp. 521-523.; (Satirische Theaterszene, "Erwin Piscator gewidmet").
Hier schreibt Berlin.: In: Die Weltbühne (Berlin), 25. Jg., No. 44, 29.10.1929, pp. 680-681.
Palucca.: In: Die Weltbühne (Berlin), 25. Jg., No. 46, 12.11.1929, pp. 751-752.; Reprint in: Zwischenrufe, pp. 101-102.
Neues von jungen Dichtern. I. Heinrich Hauser.: In: Die Weltbühne (Berlin), 25. Jg., No. 48, 26.11.1929, p. 820.
Neues von jungen Dichtern. II. Klaus Mann.: In: Die Weltbühne (Berlin), 25. Jg., No. 49, 3.12.1929, p. 857.
Neues von jungen Dichtern. III. Martin Kessel.: In: Die Weltbühne (Berlin), 25. Jg., No. 50, 10.12.1929, pp. 890-892
Mimus unter den Juden.: In: Die Weltbühne (Berlin), 25. Jg., No. 52, 24.12.1929, pp. 951-953.; (über das hebräische Theater "Habima").; Reprint in: Zwischenrufe, pp. 103-106.

1930

Klee für Kinder.: In: Die Weltbühne (Berlin), 26. Jg., No. 5, 28.1.1930, pp. 170-173.
Brief an den Maler Kirchner.: In: Die Weltbühne (Berlin), 26. Jg., No. 11, 11.3.1930, pp. 394-398.; (Paul Klee, zum Zweiten).
Niddy Impekoven.: In: Die Weltbühne (Berlin), 26. Jg., No. 13, 25.3.1930, pp. 481-483.; (ü Tanz).
Mister Eves blamiert die Innung.: In: Vossische Zeitung (Berlin), wohl 1930.; (Maler Eves übermalte Photographien); Reprint in: Zwischenrufe, pp. 110-112.
An der Leine.: In: Die Weltbühne (Berlin), 26. Jg., No. 26, 24.6.1930, pp. 972-973.; (Rezension/Book Review des Romans von Mechtilde Lichnowsky).
Roger Martin du Gard. "Jean Barois".: In: Die Weltbühne (Berlin), 26. Jg., No. 30, 22.7.1930, pp. 130-135..; (Rezension/Book Review).
Roger Martin du Gard. "Les Thibault".: In: Die Weltbühne (Berlin), 26. Jg., No. 32, 5.8.1930, pp. 205-208.; (Rezension/Book Review).
Technische Improvisationen.: In: Die Weltbühne (Berlin), 26. Jg., No. 49, 2.12.1930, pp. 827-830.; (mit Widmung: "Für Palucca").; Reprint in: Zwischenrufe, pp. 121-127.
Kästner und Trier für Kinder.: In: Die Weltbühne (Berlin), 26. Jg., No. 50, 9.12.1930, pp. 884-885; (Rezension/Book Review).

1931

Die Gefühle der Jugend.: In: Die Weltbühne (Berlin), 27. Jg., No. 4, 27.1.1931, pp. 136-141.; (Rezension/Book Review: Frank Matzke "Jugend bekennt: So sind wir!").
Die Gefühle der Jugend. Schluß.: In: Die Weltbühne (Berlin), 27. Jg., No. 5, 3.2.1931, pp. 172-174.
Etc. etc.: In: Die Weltbühne (Berlin), 27. Jg., No. 8, 24.2.1931, pp. 293-294.; (über Romanschriftstellerei).; Reprint in: Zwischenrufe, pp. 135-137.
Unsre Bücher.: In: Die Weltbühne (Berlin), 27. Jg., No. 10, 10.3.1931, pp. 358-359.; (über Bucheinbände).
Das Bild an der Wand.: In: Die Weltbühne (Berlin), 27. Jg., No. 21, 26.5.1931, pp. 779-781.
Das Slawenlied.: In: Die Weltbühne (Berlin), 27. Jg., No. 22, 2.6.1931, pp. 813-814.; (Rezension/Book Review: Roman von F. C. Weiskopf).; Reprint in: Zwischenrufe, pp. 141-142.
Karl Holtz.: In: Gebrauchsgraphik, Band 8, Juni 1931, pp. 2-5.; (Article on the artist who illustrated "Stimme von der Galerie". With English translation.)
Franz Kafka.: In: Die Weltbühne (Berlin), 27. Jg., No. 26, 30.6.1931, pp. 959-961.; Reprint in: Zwischenrufe, pp. 143-147.
Lehrstück vom Richter Lindsey.: In: Die Weltbühne (Berlin), 27. Jg., No. 30, 28.7.1931, pp. 142-145.; (Rezension/Book Review: Ben B. Lindsey/Rube Boroughs "Das gefährliche Leben").
Charakterdeutung als Wissenschaft. I.: In: Die Weltbühne (Berlin), 27. Jg., No. 41, 13.10.1931, pp. 556-560.
Charakterdeutung als Wissenschaft. II.: In: Die Weltbühne (Berlin), 27. Jg., No. 42, 20.10.1931, pp. 599-604.
Charakterdeutung als Wissenschaft. III.: In: Die Weltbühne (Berlin), 27. Jg., No. 43, 27.10.1931, pp. 639-641.
Moralische Prosa.: In: Die Weltbühne (Berlin), 27. Jg., No. 47, 24.11.1931, pp. 787-790.; (Rezension/Book Review: Erich Kästner "Fabian" u.a.).; Reprint in: Zwischenrufe, pp. 151-157.
Eloessers zweiter Band.: In: Die Weltbühne (Berlin), 27. Jg., No. 48, 1.12.1931, pp. 834-836.; (Rezension/Book Review: "Die deutsche Literatur vom Barock bis zur Gegenwart").; Reprint in: Zwischenrufe, pp. 158-160.

1932

Die Anmaßung der Sinne.: In: Die Weltbühne (Berlin), 28. Jg., No. 6, 9.2.1932, pp. 211-215.
Entthronung des Willens.: In: Die Weltbühne (Berlin), 28. Jg., No. 14, 5.4.1932, pp. 516-521.
Orientalisches.: In: Die Weltbühne (Berlin), 28. Jg., No. 17, 26.4.1932, pp. 641-643.; (Rezension/Book Review: Leo Matthias "Griff in den Orient"; Bericht über Hindu-Tanzgruppe).
Vom Schlechten zum Guten.: In: Die Weltbühne (Berlin), 28. Jg., No. 19, 10.5.1932, pp. 718-720.
Theater ohne Bühne.: In: Die Weltbühne (Berlin), 28. Jg., No. 23, 7.6.1932, pp. 861-864.; (über Theatertheorie).
Theater ohne Bühne. Schluß.: In: Die Weltbühne (Berlin), 28. Jg., No. 24, 14.6.1932, pp. 899-902.
Kurze Sittengeschichte. I.: In: Die Weltbühne (Berlin), 28. Jg., No. 26, 28.6.1932, pp. 971-974.; Reprint in: Zwischenrufe, pp. 169-174.
John dos Passos und die heißen Tage. Parodie.: In: Die Weltbühne (Berlin), 28. Jg., No. 29, 19.7.1932, pp. 99-101.
Brief aus der Ferne.: In: Die Weltbühne (Berlin), 28. Jg., No. 34, 23.8.1932, pp. 279-280.; (Urlaub in Italien: Kunst und Sittlichkeit).; Reprint in: Zwischenrufe, pp. 186-188.
Schiller über Kästner.: In: Die Weltbühne (Berlin), 28. Jg., No. 48, 29.11.1932, pp. 796-799.; Reprint in: Zwischenrufe, pp. 200-204.
Vom Fischer und seiner Frau. Aus einem Kabarettmärchen.: In: Die Weltbühne (Berlin), 28. Jg., No. 49, 6.12.1932, pp. 830-833.
Palucca.: In: Die Weltbühne (Berlin), 28. Jg., No. 50, 13.12.1932, pp. 886-887.; Reprint in: Zwischenrufe, pp. 205-206.

1933

Die Flucht zu den Schachtelhalmen.: In: Die Weltbühne (Berlin), 29. Jg., No. 2, 10.1.1933, pp. 64-67.; (Rezension/Book Review: Gottfried Benn "Fazit der Perspektiven" / "Nach dem Nihilismus").; Reprint in: Zwischenrufe, pp. 207-212.
Sittenlehre für Ungläubige. I.: In: Die Weltbühne (Berlin), 29. Jg., No. 5, 31.1.1933, pp. 169-173.
Sittenlehre für Ungläubige. II. Egoismus.: In: Die Weltbühne (Berlin), 29. Jg., No. 7, 14.2.1933, pp. 249-251.
Sittenlehre für Ungläubige. III. Weder Egoismus noch Altruismus.: In: Die Weltbühne (Berlin), 29. Jg., No. 9, 28.2.1933, pp. 323-325.

1934-1938

Aus den Emigrationsjahren in Italien sind keine einschlägigen Publikationen bekannt.: Zu den Schriften über die Medienkünste siehe das Gesamtverzeichnis der Schriften zu Film, Photo, Presse und Rundfunk.

1939

(Pseudonym: P. Anglos) Der Alte.: In: National-Zeitung (Basel), 7.9.1939.; (über Kiebitze beim Malen); Reprint in: Zwischenrufe, pp. 232-234.

1940

(Pseudonym: P. Anglos) Gewisse Übersetzer.: In: National-Zeitung (Basel), 5.1.1940.; Reprint in: Zwischenrufe, pp. 228-231.

1941

Mosaics old and new.: In: Parnassus, Vol. 13, No. 2, 1941, pp. 70-73.

1942

Art patterns as communication.: In: The American Scholar, Vol. 11, 1942, pp. 507-508.

1943

Gestalt and art.: In: Journal of Aesthetics and Art Criticism, Vol. 2, No. 8, Fall 1943, pp. 71-75.; Reprint in: Hogg, James (ed.): Psychology and the Visual Arts; selected readings. Harmondsworth, Eng., Baltimore: Penguin Books 1969, pp. 257-262.
Max Wertheimer.: (Spoken at the Memorial Meeting for Max Wertheimer at the New School for Social Research, New York City, on November 10, 1943).; In: Psychological Research, Vol. 51, No. 2 (Max Wertheimer Memorial Issue), 1989, pp. 45-46 (with pencil drawing of Wertheimer by R.A., 20.5.1942).

1945

The problem of Germany.: In: Murphy, Gardner (ed.): Human Nature and Enduring Peace. Third yearbook of the Society for the Psychological Study of Social Issues, Boston: Houghton Mifflin, pp. 62-68.; (On German war criminals).

1946

Psychology of art - good or bad?: In: Sarah Lawrence Alumnae Magazine, Vol. 11, No. 4, June 1946, p. 12.
Psychology of the dance.: In: Dance Magazine, Vol. 20, No. 8, August 1946, pp. 20, 38-39.; German translation in: Neue Zeitung (München), 23. Mai 1947; Reprint: Concerning the dance. In: Toward a Psychology of Art, 1966.

1947

Perceptual abstraction and art.: In: Psychological Review, Vol. 54, No. 2, March 1947, pp. 66-82.; Reprint in: Toward a Psychology of Art, 1966.; Swedish translation: Perceptuell abstraktion och konst. In: Sandström, Sven (ed.): Konst och Psykologi, Lund: CWK Gleerup Bokförlag 1970, pp. 86-105.
Eugène Delacroix. Drawings. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 5, No. 3, March 1947, p. 228.
Foreword to: Mendel, Alfred O.: Personality in Handwriting, New York: Stephen Daye Press 1947, pp. 11-15.

1948

G. M. Gilbert. Nuremberg Diary. (Rezension / Book Review).: In: Public Opinion Quarterly, Vol. 11, No. 4, Winter 1947-48, pp. 633-636.
The Holes of Henry Moore. On the Function of Space in Sculpture.: In: Journal of Aesthetics and Art Criticism, Vol. 7, 1948, pp. 29-38.; Reprint in: Toward a Psychology of Art, 1966.
Psychological Notes on the Poetical Process.: In: Abbott, Charles D. (ed.): Poets at Work. Essays based on the Modern Poetry Collection at the Lockwood Memorial Library, Univ. of Buffalo, New York: Harcourt Brace 1948, pp. 123-162.; Excerpt Reprint (pp. 138-159): Abstract Language and Metaphor. In: Toward a Psychology of Art, 1966.

1949

The Gestalt Theory of Expression.: In: Psychological Review, Vol. 56, No. 3, May 1949, pp. 156-171.; Reprint in: Henle, Mary (ed.): Documents of Gestalt Psychology, Berkeley: Univ. of California Press 1961, pp. 301-323.; Reprint in: Toward a Psychology of Art, 1966.; Reprint in: Hogg, James (ed.): Psychology and the Visual Arts. Selected Readings, Harmondsworth, Eng., Baltimore: Penguin Books 1969, pp. 263-287.
A Note on Monsters. (Introductory Essay).: In: Russell, Leo: Monsters - a Portfolio of Prints, New York: Tanagra Pub. 1949.; Reprint in: Toward a Psychology of Art, 1966.
The Priority of Expression.: In: Journal of Aesthetics and Art Criticism, Vol. 8, No. 2, Dec. 1949, pp. 106-109.; (Later incorporated in Art and Visual Perception).
A Psychologist's View of General Education for the Artist.: In: College Art Journal, Vol. 8, No. 4, Summer 1949, pp. 268-271.; (Paper read at the 7th Annual Conference of the Committee on Art Education, Museum of Modern Art, New York, March 18-20, 1949).

1950

Second Thoughts of a Psychologist.: In: Taylor, Harold (ed.): Essays on Teaching, New York: Harper 1950, pp. 77-95.
Lionel Goitein. Art and the Unconscious. (Rezension / Book Review): In: Magazine of Art, Feb. 1950, pp. 76-77.
Daniel E. Schneider. The Psychoanalyst and the Artist. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 9, No. 2, Dec. 1950, pp. 152-153.

1951

Gestalt Psychology and Artistic Form.: In: Whyte, Lancelot L. (ed.): Aspects of Form. A Symposium on Form in Nature and Art, London: Lund Humphries 1951, pp. 196-208. 2nd ed. 1968 (R.A.'s text unchanged).; U.S. ed.: New York: Pellegrini & Cudahy 1951.; Paperback: Bloomington: Univ. of Indiana Press 1961 (Midland Books No. 31).; 2. unveränderter Nachdruck: London: Lund Humphries 1968.; Reprint in: Rader, Melvin (ed.): A Modern Book of Aesthetics, New York: Holt, Rinehart & Winston 1973, 4th ed., pp. 318-327.; (German Translation by Jürgen Schlaeger): Gestaltpsychologie und künstlerische Form. In: Henrich, Dieter / Iser , Wolfgang (eds.): Theorien der Kunst, Frankfurt am Main: Suhrkamp 1982. Taschenbuch-Ausgabe/Paperback (stw 1012) 1992, pp. 132-147.
Perceptual and Aesthetic Aspects of the Movement Response.: In: Journal of Personality, Vol. 19, 1951, pp. 265-281.; Reprint in: Toward a Psychology of Art, 1966.
Kurt Badt. John Constable's Clouds. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 9, No. 4, June 1951, p. 338.
Francis Reitman. Psychotic Art. A Study of the products of the mentally ill.. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 10, No. 2, Dec. 1951, p. 176.

1952

Agenda for the Psychology of Art.: In: Journal of Aesthetics and Art Criticism, Vol. 10, June 1952, pp. 310-314.; Reprint in: Toward a Psychology of Art, 1966.
Lancelot L. Whyte (ed.): Aspects of Form. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 11, No. 1, Sept. 1952, pp. 78-79.
James J. Gibson. The Perception of the Visual World. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 11, No. 2, Dec. 1952, pp. 172-173.

1953

(With Abraham Klein) Perceptual Analysis of a Rorschach Card.: In: Journal of Personality, Vol. 22, No. 1, Sept. 1953, pp. 60-70.; Reprint in: Toward a Psychology of Art, 1966.; Swedish translation: Perceptionspsykologiska och estetiska aspekter på Rörelseresponser. In: Sandström, Sven (ed.): Konst och Psykologi, Lund: CWK Gleerup Bokförlag 1970, pp. 109-123.
Artistic Symbols - Freudian and otherwise.: In: Journal of Aesthetics and Art Criticism, Vol. 12, Sept. 1953, pp. 93-97.; Reprint in: Toward a Psychology of Art, 1966.
Movimento organico ed inorganico.: In: Rivista del Cinema Italiano (Mailand), No. 9, September 1953, pp. 86-91.; (Vorabdruck aus "Art and Visual Perception", übersetzt von R.A.).
David Katz: 1884-1953.: In: American Journal of Psychology, Vol. 66, Oct. 1953, pp. 638-642.

1954

Art and Visual Perception. A Psychology of the Creative Eye. (Kunst und Sehen).: Berkeley and Los Angeles: University of California Press 1954, 5th printing 1967. (Paperback 1954, 1965).
A Complexity Scale of Movement.: In: Journal of Aesthetics and Art Criticism, Vol. 13, No. 1, Sept. 1954, pp. 104-108.; (A Section of "Art and Visual Perception").
(Introduction to):: Snyder Jaffe, Judith: The Expressive Meaning of a Dance.; In: Journal of Aesthetics and Art Criticism, Vol. 12, No. 4, June 1954, pp. 518.; (Report of a study done by a Sarah Lawrence College student under R.A.'s supervision).
Margaret Naumburg. Psychoneurotic Art: Its Function in Psychotherapy. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 13, No. 1, Sept. 1954, pp. 113-114.
The Psychologist who came to Dinner.: In: College Art Journal, Vol. 13, No. 2, Winter 1954, pp. 107-112.; (Paper read at annual meeting of the Commission on Art Education, New York, March 1954).; Reprint: What kind of Psychology? in: Toward a Psychology of Art, 1966.

1955

A Review of Proportion.: In: Journal of Aesthetics and Art Criticism, Vol. 14, 1955, pp. 44-57.; Reprint in: Kepes, Gyorgy (ed.): Module, Proportion, Symmetry, Rythm, New York: Braziller 1966, pp. 218-230.; Reprint in: Toward a Psychology of Art, 1966.; Gekürzte deutsche Übersetzung/Abbreviated German translation (Titel in Englisch) in: Kontur. Zeitschrift für Kunsttheorie, No. 12, pp. 5-11 (übersetzt von Erich Ess).

1956

Ian Rawlins. Aesthetics and the Gestalt. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 14, No. 3, March 1956, pp. 393-394.
Lancelot L. Whyte. Accent on Form: An Anticipation of the Science of Tomorrow. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 14, No. 4, p. 503.
Convocation address, Sept. 28, 1956.: In: Sarah Lawrence Alumnae Magazine, Vol. 22, No. 1, Fall 1956, pp. 8-10.; (Illustrated with R.A.'s photographs).

1957

Aleks Pontvik. Heilen durch Musik. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 15, No. 3, March 1957, pp. 369-370.
Accident and the Necessity of Art.: In: Journal of Aesthetics and Art Criticism, Vol. 16, Sept. 1957, pp. 18-31.; Reprint in: Toward a Psychology of Art, 1966.; Swedish translation: Slump och nödvändighet. In: Konstrevy, Häfte 4, 1959, pp. 168ff.
The artist conscious and subconscious, a psychologist looks at inspiration.: In: Art News, Vol. 56, 1957, pp. 31-33. (Address given at American Federation of Arts convention, Houston/Texas, April 3-6, 1957).; Reprint in: The Palette, Vol. 40, No. 1, Spring 1961.; Reprint: On inspiration. In: Toward a Psychology of Art, 1966.

1958

Gillo Dorfles. Discorso tecnico della arti. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 16, No. 3, March 1958, 399-400.
Jurgen Ruesch & Weldon Kees. Non-Verbal Communication. Notes on the Visual Perception of Human Relations. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 16, No. 3, March 1958, pp. 400-401.
Art and well-being.: In: The Independent School Bulletin, Series 57-58, No. 4, May 1958, pp. 6-8.; (Address delivered to the Art Section of the Secondary Education Board's 32nd annual conference, New York, March 7-8, 1958).
Looking forward.: In: Sarah Lawrence Alumnae Magazine, Vol. 23, No. 3, 1958, pp. 4, 5, 22.
Emotion and feeling in psychology and art.: In: Confinia Psychiatrica, Vol. 1, No. 2, 1958, pp. 69-88.; Reprint in: Henle, Mary (ed.): Documents of Gestalt Psychology, Berkeley: Univ. of California Press 1961, pp. 334-351.; Reprint in: Toward a Psychology of Art, 1966.
Aron Gurwitsch. Théorie du Champ de la Conscience. (Rezension / Book Review).: In: Social Research, Vol. 25, No. 4, pp. 487-489.

1959

Form and the consumer.: In: College Art Journal, Vol. 19, No. 1, Fall 1959, pp. 2-9.; (Paper read at a Symposium on the Arts, Wellesley College, Feb. 25, 1959).; Reprint in: Toward a Psychology of Art, 1966.
Information Theory: An Introductory Note.: In: Journal of Aesthetics and Art Criticism, Vol. 17, No. 4, June 1959, pp. 501-503.; (Chairman's introduction to a symposium entitled Information theory and the arts, held at the 1957 convention of the American Psychological Association in New York City).
The Robin and the Saint: On the Twofold Nature of the Artistic Image.: In: Journal of Aesthetics and Art Criticism, Vol. 18, No. 1, Sept. 1959, pp. 68-79.; Reprint in: Toward a Psychology of Art, 1966.
Zum Zweck der Kunst.: In: Industrie und Kunst Linz. Linz: H. Bauer 1959, pp. 95-96.
La psicologia della forma e l'arte.: In: Enciclopedia Universale dell'Arte. Ed. by Istituto per la Collaborazione Culturale, Venedig/Rom 1959, pp. 195-199.

1960

Gestalten von Gestern und Heute.: In: Weinhandl, Ferdinand (ed.): Gestalthaftes Sehen - Ergebnisse und Aufgaben der Morphologie. Zum hundertjährigen Geburtstag von Christian von Ehrenfels, Darmstadt: Wissenschaftliche Buchgesellschaft 1960, pp. 79-85.; Übersetzung (translated by R.A.): Gestalten - Yesterday and Today. In: Henle, Mary (ed.): Documents of Gestalt Psychology, Berkeley: Univ. of California Press 1961, pp. 90-96.
Perceptual Analysis of a Symbol of Interaction.: In: Confinia Psychiatrica, Vol. 3, 1960, pp. 193-216.; Reprint in: Toward a Psychology of Art, 1966.; Swedish Translation: Perceptuell analys av en interaktionssymbol. In: Sandström, Sven (ed.): Konst och Psykologi, Lund: CWK Gleerup Bokförlag 1970, pp. 124-145.

1961

Alfred Neumeyer. Glanz des Schönen. Gespräche mit Bildern. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 19, No. 3, Spring 1961, pp. 352-353.
Perceptual Analysis of a Cosmological Symbol.: In: Journal of Aesthetics and Art Criticism, Vol. 19, 1961, pp. 389-399.; (Condensation and revision of the 1960 paper: Perceptual Analysis of a Symbol of Interaction. Given as presidential address at the 18th annual convention of the American Society for Aesthetics, New York City, Oct. 28, 1960).; Übersetzung: Wahrnehmungsanalyse eines kosmologischen Symbols. In: Kontur. Zeitschrift für Kunsttheorie, No. 22, 1964, pp. 1-17 (translated by Erich van Ess).; Reprint in: Syn. Internationale Beiträge zur neuen Kunst, No. 1, 1965, pp. 45-58 (Text in German and English).
Joshua C. Taylor. Learning to Look: A Handbook for the Visual Arts. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 19, No. 4, 1961, pp. 475-476.
Contemplation and Creativity.: In: Gosebruch, Martin (ed.): Festschrift Kurt Badt zum siebzigsten Geburtstage, Berlin: DeGruyter 1961, pp. 8-16.; Reprint in: Toward a Psychology of Art, 1966.
The Form we seek.: In: Craft Horizons, Vol. 21, No. 6, 1961, pp. 32-35.; (Paper read at 4th National Conference of the American Craftsmen's Council in Seattle, Wash., Aug. 27-29, 1961).; Reprint in: Toward a Psychology of Art, 1966.

1962

Picasso's Guernica. Genesis of a Painting.: Berkeley und Los Angeles: University of California 1962. 1973.
The Creative Process.: In: Psychologische Beiträge, Band 6, Heft 3/4: Festschrift für Wolfgang Köhler, 1962, pp. 374-382.; (Excerpts from Matchette Foundation Lectures on "The Creative Process" given at Brooklyn College, New York, April 1961).
E. H. Gombrich. Art and Illusion. (Rezension / Book Review).: In: Art Bulletin. Vol. 44, March 1962, pp. 75-79.; Reprint: Art History and the Partial God. In: Toward a Psychology of Art, 1966.
What do eyes contribute?: In: AV Communication Review, Vol. 10, No. 5, 1962, pp. 10-21.; Published (under title: The myth of the bleating lamb) as one of the papers presented at the Society of Typographic Arts conference on "Form and Meaning", Allerton Park, Univ. of Illinois, Oct. 19-21, 1962, pp. 55-63.; Portuguese Translation: O mito do cordeiro que bale. In: Jornal Brasileiro de Psicologia, Vol. 1, No. 1, Jan. 1964, pp. 5-17 (translated by Prof. Arno Engelmann).; Expanded Version: The Myth of the Bleating Lamb. In: Toward a Psychology of Art, 1966.

1963

Picasso's "Nightfishing at Antibes".: In: Journal of Aesthetics and Art Criticism, Vol. 22, 1963, pp. 165-167.; (Part of a symposium, "One Painting - Three Approaches").; Reprint in: Toward a Psychology of Art, 1966.

1964

Vision in Art.: In: Art Education, Vol. 17, No. 1, Jan. 1964, pp. 14-15.; (Summary of an address given at National Art Educators Association Conference, Kansas City, Mo., March 13, 1963).
Heimo Kuchling. Kritik der bildenden Kunst des XX. Jahrhunderts. (Rezension / Book Review).
Alfred Neumeyer. Die Kunst in unserer Zeit: Versuch einer Deutung. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 22, No. 3, Spring 1964, pp. 339-342.
From Function to Expression.: In: Journal of Aesthetics and Art Criticism, Vol. 23, No. 1, Fall 1964, pp. 24-41.; Adapted and reprinted: Function and Expression. In: Connection. Visual Arts at Harvard, March 1965, pp. 28-35.; Original Reprint in: Toward a Psychology of Art, 1966.; Reprint in: Beardsley, Monroe C. and Schueller, Herbert M. (eds.): Aesthetic Inquiry. Essays on Art Criticism and the Philosophy of Art, Belmont, Calif.: Dickenson Publ. Co 1967, pp. 199-214.; Deutsche Übersetzung: Funktion und Ausdruck. In: Archithese, Heft 5, 1973, pp. 5-16 (translated by Suzanne Ghirardelli).
What is Art for?: In: Teachers College Record, Vol. 66, No. 1, Oct. 1964, pp. 46-53.; (Adapted from an address given at Cooper Union, New York, N.Y., Nov. 6, 1963).

1965

Child Art and Visual Thinking.: In: Lewis, Hilda P. (ed.): Child Art, the Beginnings of Self Affirmation, Berkeley, Calif.: Diablo Press 1965, pp. 44-45.; (Remarks at a conference held at the Univ. of California, Berkeley, May 7-9, 1965).
Visual Thinking.: In: Kepes, Gyorgy (ed.): Education of Vision, New York: Braziller 1965, pp. 1-14.
H. R. Graetz. The Symbolic Language of Vincent van Gogh. (Rezension / Book Review).: In: Contemporary Psychology, Vol. 10, 1965, pp. 100-101.
Geraldine Pelles. Art, Artists, and Society. (Rezension / Book Review).: In: Social Research, Vol. 32, No. 2, Summer 1965, pp. 211-214.
What is a Critic?: In: Saturday Review, 48, No. 35, Aug. 28, 1965, pp. 26-27.; (Originally presented at a symposium entitled "The Critic and the Visual Arts" at the American Federation of Arts convention, Boston, 1965. Entire symposium published by the AFA).
Die geometrische Form in der modernen Kunst.: In: Das Kunstwerk, Vol. 19, Sept. 1965, p. 3.; (Translation of a section of "Art and Visual Perception": Geometrical shape in modern art).
Alfred Neumeyer. Der Blick aus dem Bilde. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 24, No. 2, Winter 1965, pp. 319-320.

1966

Toward a Psychology of Art. Collected Essays. (Zur Psychologie der Kunst).: Berkeley und Los Angeles: University of California Press 1966. (Paperback 1972).
Order and Complexity in Landscape Design.: In: Toward a Psychology of Art, Berkeley: Univ. of California Press 1966, pp. 123-135.; (Previously unpublished paper written in 1960 for a projected handbook of landscape architecture).
Is Modern Art Necessary?: In: Toward a Psychology of Art, Berkeley: Univ. of California Press 1966, pp. 343-352.; (Enlarged version of an address presented at the annual meeting of the Western Arts Association in Louisville, Ky., April 1958. Previously unpublished).
The Dynamics of Shape.: In: Design Quarterly, No. 64, Minneapolis, Minn.: Walker Art Center, 1966, pp. 1-32.
From a Japanese Notebook.: In: Sarah Lawrence Journal, Spring 1966, pp. 18-21.
Image and Thought.: In: Kepes, Gyorgy (ed.): Sign, Image, Symbol, New York: Braziller 1966, pp. 62-77.; (First draft of an essay later published as a chapter in "Visual Thinking", 1969).
Robert Waelder. Psychoanalytic Avenues to Art (Rezension / Book Review).: In: Contemporary Psychology, Vol. 11, No. 7, July 1966, pp. 322-323.
Inside and Outside in Architecture: a Symposium.: In: Journal of Aesthetics and Art Criticism, Vol. 25, No. 1, Fall 1966, pp. 3-7.; (Presented at the annual meeting of the American Society for Aesthetics in Washington, D.C., 1965).; Reprint in: The Split and the Structure, pp. 45-51.
New Prospects in Design Education.: Symposium held on the occasion of the inauguration of G. D. Culler as president of the Philadelphia College of Art, Philadelphia. Publ. by the College, 1966. 5 p.
Symbols.: In: Journal of American Society of Graphic Arts, No. 5, 1966, pp. 12-13.; (Excerpts from a more extensive statement).
Sharing the Passion and the Action (Rezension / Book Review: Helen M. Lynd. Toward Discovery).: In: Sarah Lawrence Alumnae Magazine, Winter 1966, pp. 16-17, 21.
Preface to: Toney, Anthony: Creative Painting and Drawing, New York: Dover 1966, pp. vii-x.

1967

Constancy and Abstraction.: In: Mühlher, Robert und Fischl, Johann (eds.): Gestalt und Wirklichkeit. Festgabe für Ferdinand Weinhandl, Berlin: Duncker & Humblot 1967, pp. 71-78.; (A section of Visual Thinking, 1969).
Intelligence simulated.: In: Midway, a magazine of discovery in the arts and sciences, Vol. 8, No. 1, June 1967, pp. 81-89.; (A section of Visual Thinking, 1969).
Abstraction and Empathy in Retrospect.: In: Confinia Psychiatrica, 10, 1967, pp. 1-15.; Reprint in: Modulus, Vol. 9, 197?, pp. 73-83. (A publication of the School of Architecture, Univ. of Virginia).; Reprint: Wilhelm Woringer on Abstraction and Empathy. In: New Essays on the Psychology of Art, 1986, S. 50-62.
Introduction to Teaching Guide for: My Weekly Reader. Art Gallery Series, No. 7 & 8, Columbus, Ohio: Educational Center 1967.
(Comments on) Patricia Carpenter's ",The Musical Object".: In: Current Musicology, No. 5, 1967, pp. 94-95.

1968

Study of Visual Factors in Concept Formation.: Washington: U.S. Office of Education. (ERIC report no. OEC 1-6-061741-1196. Enlarged and published as: Visual Thinking, 1969).
Comments and discussion on a symposium: From perceiving to performing - an aspect of cognitive growth.: In: Ontario Journal of Educational Research, Vol. 10, No. 3, Spring 1968, pp. 203-207.; (Symposium held at American Psychological Association meeting in Washington, D.C., Sept. 1967).
Abraham Moles. Information Theory and Esthetic Perception (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 26, No. 4, Summer 1968, pp. 552-554.
Vision and thought.: In: Perspectives on Education, Fall 1968, pp. 19-23.
Notes on the imagery of Dante's Purgatorio.: In: Sarah Lawrence Journal, Winter 1968, pp. 58-63.; Reprint in: Gosebruch, M. und Dittmar, L. (eds.): Argo. Festschrift für Kurt Badt zu seinem 80. Geburtstag, Köln: DuMont Schauberg 1970, pp. 57-61.; Reprint in: New Essays on the Psychology of Art, pp. 153-158.

1969

Visual Thinking. (Anschauliches Denken).: Berkeley und Los Angeles: University of California Press 1969. (Paperback 1971). 1989.
Claude Wiart. Expression picturale et psychopathologie (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 27, No. 3, Spring 1969, pp. 362-363.
(With Eduard F. Sekler) Otto Schubert. Optik in Architektur und Städtebau. (Rezension / Book Review).: In: Society of Architectural Historians Journal, Vol. 28, March 1969, pp. 77-79.
Painted Skies and Unicorns (Rezension / Book Review: Nelson Goodman. Languages of Art; an Approach to a Theory of Symbols).: In: Science, Vol. 164, pp. 697-698.
(Introductory Remarks at a Symposium) Architecture and the Climate for Learning.: In: Sarah Lawrence Alumnae Magazine, Fall/Winter 1969, p. 20.
Max Wertheimer and Gestalt Psychology.: In: Salmagundi, Fall 1969/Winter 1970, pp. 97-103.; Reprint in: Boyers, Robert (ed.): The Legacy of the German Refugee Intellectuals, New York: Schocken 1972, pp. 97-103.; Reprint in: New Essays on the Psychology of Art, 1986, S. 31-38. (With Drawing of Wertheimer by R.A., May 1942).

1970

Rhoda Kellogg. Analyzing Children's Art (Rezension / Book Review).: In: Harvard Educational Review, Vol. 40, No. 1, Feb. 1970, pp. 135-137.
Jean-Paul Weber. The Psychology of Art (Rezension / Book Review).: In: Contemporary Psychology, Vol. 15, 1970, pp. 122-123, 127.
The Dazzle of Things Past (Rezension / Book Review: Hans M. Wingler. The Bauhaus: Weimar, Dessau, Berlin, Chicago).: In: Technology Review, Vol. 72, No. 6, April 1970, pp. 18-19.
Manfred Kiemle. Aesthetische Probleme der Architektur unter dem Aspekt der Informationsaesthetik (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 28, No. 4, Summer 1970, pp. 551-552.
The Psychology of Perception. A Symposium on Art and Perception held at the 2nd Congress of the International Association of Art Critics, in Ottawa and Toronto, Aug. 1970.: In: Minutes of the Congress, pp. 3-32.
Words in their place.: In: The Journal of Typographic Research, Vol. 4, No. 3, Sept. 1970, pp. 199-212.; (A section of Visual Thinking, 1969).
Concerning an Adoration.: In: Art Education. Journal of the National Art Educators Assoc., Vol. 23, No. 8, Nov. 1970, pp. 20-27.; (Analysis of Giovanni di Paolo's "Adoration").; Reprint in: New Essays on the Psychology of Art, 1986, S. 3-10.
Richard Wollheim. Art and its Objects, an Introduction to Aesthetics (Rezension / Book Review).: In: Art Bulletin, Vol. 52, No. 4, Dec. 1970, pp. 471-473.

1971

Entropy and Art. An Essay on Disorder and Order. (Entropie und Kunst).: Berkeley und Los Angeles: University of California Press 1971. (Paperback 1974). 1983.; Teilnachdruck online: http://acnet.pratt.edu/%7Earch543p/readings/Arnheim.html (Stand: 25.7.2006)
Comments on the article "The Information Available in Pictures" (James J. Gibson).: In: Leonardo, Vol. 4, No. 2, 1971, p. 197.
Wolfgang Köhler. The Task of Gestalt Psychology (Rezension / Book Review).: In: Journal of Aesthetic and Art Criticism, Vol. 29, No. 3, Spring 1971, pp. 423-424.
Prof. Arnheim replies to Monroe Beardsley's review of "Visual Thinking".: In: Journal of Aesthetic Education, Vol. 5, No. 3, July 1971, pp. 186-187.
Visual perception and thinking.: In: Viewpoints. Bulletin of the School of Education (Title of this issue: "Aspects of perception - their relation to instructional communications"), Indiana Univ., Vol. 47, No. 4, July 1971, pp. 99-111.
Art and Humanism.: In: Art Education, Vol. 24, No. 7, Oct. 1971, pp. 5-9. (Address presented at the 11th Biennial Conference of the National Art Education Association in Dallas, Texas, April 1971).; Derived Reprint "The Perceptual Challenge in Art Education" in: To the Rescue of Art, pp. 231-239.
James Hogg (ed.). Psychology and the Visual Arts (Rezension / Book Review).
R. A. Durr. Poetic Vision and the Psychedelic Experience (Rezension / Book Review).: In: Contemporary Psychology, Vol. 16, 1971, p. 459-461.
A Reply to Hans Jonas.: In: Journal of Aesthetic and Art Criticism, Vol. 30, 1971/72, pp. 111-117.

1972

Lemonade and the Perceiving Mind.: (Prepared for a Conference on Visual Communication in Art and Science for the Australian National Advisory Committee for Unesco, Melbourne, January 1972).; Published in: The Split and the Structure, pp. 169-173.
Art as an Attribute, not a Noun.: In: Arts in Society, Vol. 9, Spring-Summer 1972, pp. 37-44.
Optics, Painting and Photography, by M. H. Pirenne (Rezension / Book Review).: In: Contemporary Psychology, Vol. 17, May 1972, pp. 298-299.
Inverted Perspective in Art: Display and Expression.: In: Leonardo, Vol. 5, No. 2, 1972, p. 125-135.; Developed Reprint: "Inverted Perspective and the Axiom of Realism" in: New Essays on the Psychology of Art, pp. 159-185.
Inverted Perspective in Art (A Reply to Kenneth R. Adams' Comments).: In: Leonardo, Vol. 5, No. 3, 1972, p. 283.
Learning by Pictures.: Preface to: Psychology Today - An Introduction, 2nd ed., Del Mar, California: DRM Books 1972; Reprint: Psychology Digest, Vol. 1, No. 2, 1972, pp. 4-6. (Same Publisher as above).
Snippets and Seeds - Notes from a Journal. I-XI.: In: Salmagundi,; No. 19, Spring 1972, pp. 91-95;; No. 21, Winter 1973, pp. 90-95;; No. 25, Winter 1974. pp.77-80;; No. 27, Summer/Fall 1974, pp. 112-117;; No. 35, Fall 1976, pp. 65-70;; No. 40, Winter 1978, pp. 122-126;; No. 43, Winter 1979, pp. 156-162;; No. 46, Fall 1979, pp. 120-126;; Nos. 50/51, Fall 1980/Winter 1981, pp. 269-276;; Nos. 52/53, Spring/Summer 1981, pp. 119-123 (Notes on the great Picasso Show);; No. 56, Spring 1982, pp. 170-176.
Eyes they have, but they see not. A conversation with R.A. about a generation that has lost touch with its senses, by James R. Petersen.: In: Psychology Today, June 1972, pp. 55-59.; German Translation: Wir denken zu viel und sehen zu wenig. In: Psychologie heute, Vol. 6, April 1979, pp. 23-29.
Form and transform.: (Introduction to exhibit catalog:) Transformation: Exhibition of work by faculty, students & visiting artists.; Cambridge, Mass.: Carpenter Center for the Visual Arts, Harvart University 1972.

1973

On Entropy and Art (re: Peter Lloyd Jones, Michael Hoare).: In: Leonardo, Vol. 6, No. 2, 1973, p. 188.
On Entropy and Art (re: Michael Hoare).: In: Leonardo, Vol. 6, No. 3, 1973, p. 282.
Essay for Catalog "Works in Review" by Gyorgy Kepes.: Exhibit held at Museum of Science, Boston, May 15 - Sept. 12, 1973, pp. 10-14.
The Expressiveness of Visual Form: 1. Expression.: In: Rader, Melvin (ed.): A Modern Book of Aesthetics, 4th ed., New York: Holt, Rinehart & Winston, 1973, pp. 308-318.; (Chapter from "Art and Visual Perception", 1954).
Hans & Shulamith Kreitler. Psychology of the Arts. (Rezension / Book Review).: In: Contemporary Psychology, Vol. 18, 1973, pp. 646-647.

1974

Art and Visual Perception. A Psychology of the Creative Eye. The New Version. (Kunst und Sehen. Neufassung).: Berkeley and Los Angeles: University of California Press 1974. 1983.
The aesthetic approach: Notes on creativity.: In: Rosner, Stanley and Abt, Lawrence (eds.): Essays in Creativity, Crotonnon-Hudson, N.Y.: North River Press 1974, pp. 7-21.; (Reprint of Chap. I of "Picasso's Guernica")
On Order, Simplicity and Entropy.: In: Leonardo, Vol. 7, No. 2, Spring 1974, p. 139-141.; Reprint in: Malina, Frank J. (ed.): Visual Art, Mathematics and Computers, New York: Pergamon Press 1979.
Comment on Robert Hansen's Article on Curvilinear Perspective.: In: Journal of Aesthetics and Art Criticism, Vol. 32, No. 3, Spring 1974, p. 424.
Commencement speech (given in May 1974).: In: Sarah Lawrence Alumnae Magazine, Summer 1974, pp. 16-18.
Lemonade and the Perceiving Mind.: In: Moorhouse, Charles E. (ed.): Visual Education, Carlton, Australia: Isaac Pty 1974, pp. ix-xii.
Leonard Zusne. Visual Perception of Form. (Rezension / Book Review).: In: Leonardo, Vol. 7, No. 3, Summer 1974, p. 273.
And this is about Conceptual Art. (Exercises of the imagination).: In: New York Times, July 13, 1974, Op-ed page.
Words playing with shapes.: In: Harvard Magazine, July/Aug. 1974, pp. 66-67.
Virtues and vices of the visual media.: In: Olson, David R. (ed.): The Media and Symbols. The 73rd Yearbook of the National Society for the Study of Education, Chicago: University of Chicago Press 1974, pp. 180-210.
Rudolf Arnheim: An Interview, by Peter Galassi.: In: Afterimage 2, Nov. 1974, pp. 2-5.
Foreword.: To: Golomb, Claire: Young Children's Sculpture and Drawing: a study in representational development.; Cambridge: Harvard University Press 1974.
Colors - Irrational and rational.: In: Journal of Aesthetics and Art Criticism, Vol. 33, Winter 1974, pp. 149-154.; Übersetzung/Translation: Couleurs: irrationel et rationel. In: Change, Paris: Seghers/Laffaut, 1976, pp. 33-42.; Reprint "The Rationalization of Color" in: To the Rescue of Art, pp. 205-213.

1975

Thomas Mann and Rudolf Arnheim: an unpublished exchange of letters.: In: Michigan Germanic Studies, Vol. 1, No. 1, Spring 1975, pp. 2-8.
Anwendungen gestalttheoretischer Prinzipien auf die Kunst.: In: Ertel, S. / Kemmler, L. / Stadler, M. (eds.): Gestalttheorie in der modernen Psychologie. Festschrift für Wolfgang Metzger, Darmstadt: Steinkopf 1975.
Bemerkungen zum Schöpferischen.: In: Bader, Alfred (ed.): Geisteskrankheit, bildnerischer Ausdruck und Kunst. Eine Sammlung von Texten zur Psychopathologie des Schöpferischen, Bern: Huber 1975, pp. 60-67.; (Excerpt from German ed. of "Picassos Guernica").
Evenwicht.: In: Schuthof, Piet / Teyken, Cees (eds.): Reader beeldend onderwijs, Groningen: Wolters-Noordhoff 1975, pp. 51-78.; (Translation of chapter on Balance in "Art and Visual Perception, New version").
Perception, impact and response to visual imagery.: In: Visual Communication in Art and Science, Canberra, Australian Govt. Publ. Service, 1975, pp. 32-45.; (Keynote address given at the Australian UNESCO Seminar, held in Melbourne in 1972).
Visual perception in the arts.: In: Lindzey, Gardner / Hall, C. / Thompson, R. F. (eds.): Psychology, New York: Worth Publ. 1975, pp. 108-113.
On art therapy: a conversation with R.A. (Interview by Shaun McNiff).: In: Art Psychotherapy 2, No. 3-4, 1975, pp. 195-202.
Letter: From contrast to assimilation in art and in the eye.: In: Leonardo, Vol. 8, Summer 1975, p. 270-271.
A communication on the spatial orientation of letters.: In: Visible Language, Vol. 9, No. 4, Autumn 1975, pp. 375-376.
Klaus-Peter Denker. Text-Bilder: Visuelle Poesie International. (Rezension / Book Review).: In: Leonardo, Vol. 8, Winter 1975, p. 260-261.
Does anything go?: In: Introspect (Dublin), No. 1, Dec. 1975, p. 3.

1976

An ABC of space for architecture.: In: The Structurist, No. 15/16, 1975/76, pp. 8-12.; (First draft of Chapter I of "The Dynamics of Architectural Form").
Concerning the dance.: In: Salmagundi, No. 33/34, Spring/Summer 1976, pp. 89-92.; (Reprinted from "Toward a Psychology of Art").
Multiplicidad y Picasso.: In: Iddeas (Caracas, Venezuela), No. 6, 1976. (Transl. by Miriam Recio).; (Translation of "Multiplicity and Picasso", privately printed by the Art Dept. of Univ. of Utah, 1974. This is the text of a paper given at the annual meeting of the College Art Assoc., San Francisco).
The Perception of Maps.: In: The American Cartographer, Vol. 3, No. 1, 1976, pp. 5-10.; Reprint in: To the Rescue of Art, pp. 194-202.
The Unity of the Arts: Time, Space, and Distance.: In: Yearbook of Comparative and General Literature, No. 25, Bloomington, Ind.: Indiana Univ. Press 1976, pp. 7-13.; Reprint "Unity and Diversity of the Arts". In: New Essays on the Psychology of Art, 1986, S. 65-77.
Visual Aspects of Concrete Poetry.: In: Strelka, Joseph P. (ed.): Yearbook of Comparative Criticism, Vol. 7, Philadelphia, Pa.: Pennsylvania State University Press 1976, pp. 91-109.; Reprint of shortened and slightly altered Version in: New Essays on the Psychology of Art, pp. 90-101.
What Is an Aesthetic Fact?: In: Studies in Art History. Middle Atlantic Symposium on History of Art 1974/76, Baltimore: Univ. of Maryland Press 1976, pp. 43-51.; Derived Reprint in: The Split and the Structure, pp. 65-72.
Editorial. (On "conceptual art").: In: Journal of Aesthetics and Art Criticism, Vol. 35, No. 1, Fall 1976, pp. 3-4.
Form durch Verformung. (Rezension / Book Review: Juergen Weber. Gestalt Bewegung Farbe).: In: Artis, Vol. 28, Sept. 1976, pp. 26-27.
Robert W. Witkin. The Intelligence of Feeling. (Rezension / Book Review).: In: Journal of Aesthetic and Art Criticism, Vol. 35, No. 2, Winter 1976, pp. 237.
Wolfgang Metzger. Gesetze des Sehens. (Rezension / Book Review).: In: Contemporary Psychology, Vol. 21, No. 11, 1976, pp. 803-804.
Foreword.: To: Mary Henle (ed.): Vision and Artifact, New York: Springer 1976, pp. xiii-xvi.

1977

The Dynamics of Architectural Form. (Die Dynamik der architektonischen Form): Berkeley and Los Angeles: University of California Press 1977. (Paperback 1978).
Comments on Professor Hayashi's paper: On the composition of emakimoro scrolls.: In: Hiroshima Forum for Psychology (Hiroshima, Japan), Vol. 4, 1977, pp. 9-11.
The Art of psychotics.: In: Art Psychotherapy, Vol. 4, No. 3-4, 1977, pp. 113-120.
From the surface into depth.: In: Bulletin of Rhode Island School of Design, Vol. 63, No. 4, Winter 1977, pp. 36-40.; (Convocation address delivered at RISD, Fall 1977).
Musings of a reader.: In: Art Psychology, Vol. 4, No. 1, 1977, pp. 11-14.
Wolfgang Metzger. Gesetze des Sehens. (Rezension / Book Review).: In: Leonardo, Vol. 10, Summer 1977, p. 245.
Perception of Perspective Pictorial Space from Different Viewing Points.: In: Leonardo, Vol. 10, No. 4, 1977, p. 283-288.
Rewards today and perhaps tomorrow..: In: LSA Journal, Univ. of Michigan, Vol. 1, No. 3, Fall 1977, pp. 8-9.; (Speech given at Phi Beta Kappa awards convocation, April 1977).
Symbols in architecture.: In: Salmagundi, No. 36, Winter 1977, pp. 69-75.; (Excerpt from "The Dynamics of Architectural Form").
Thoughts on durability: Architecture as an affirmation of confidence.: In: A.I.A. Journal, Vol. 66, June 1977, pp. 48-50.; (Excerpts from the Raoul Wallenberg Lecture given at the Univ. of Michigan School of Architecture, October 1976).
Über das Sichtbare in unserer Welt.: In: Grisebach, Lucius / Rengers, Konrad (eds.): Festschrift für Otto von Simson zum 65. Geburtstag, Frankfurt am Main: Propyläen Verlag 1977, pp. 9-18.

1978

Brunelleschi's Peepshow.: In: Zeitschrift für Kunstgeschichte, Vol. 41, 1978, pp. 57-60.; Reprint in: To the Rescue of Art, pp. 186-193.
Notes on Creative Invention.: In: Sekler, Eduard / Curtis, Wm. (eds.): Le Corbusier at Work, Cambridge, Mass.: Harvard University Press 1978, pp. 261-266.
Perception of Perspective Pictorial Space from Different Viewing Points (re: William A. Adams).: In: Leonardo, Vol. 11, No. 2, 1978, p. 173.
On Interpreting Pictorial Art (re: David R. Topper).: In: Leonardo, Vol. 11, No. 2, 1978, p. 174.
On the Late Style of Life and Art.: In: Michigan Quarterly Review, Vol. 17, No. 2, Spring 1978, pp. 149-156.; Derived Reprint "On the Late Style" in: New Essays on the Psychology of Art, pp. 285-293.
Space as an Image of Time.: In: Kroeber, Karl and Walling, William (eds.): Images of Romanticism. Verbal and Visual Affinities, New Haven: Yale Univ. Press 1978, pp. 1-12.; (An expanded version of a paper presented as the annual A.A. & C.E.A. Foerster Lecture on "The Immortality of the Soul" at the University of California, Berkeley, Oct. 23, 1975).>; Derived Reprint in: To the Rescue of Art, pp. 35-44.
Spatial Aspects of Graphological Expression.: In: Visible Language, Vol. 12, No. 2, Spring 1978, pp. 163-169.
A Stricture on Space and Time.: In: Critical Inquiry, Vol. 4, No. 1, Summer 1978, pp. 645-655.; Reprint in: New Essays on the Psychology of Art, 1986, S. 78-89.
Visiting Palucca.: In: Dance Scope, Vol. 13, No. 1, Fall 1978, pp. 6-11.; (Deutsche Übersetzung/German Translation): Ein Wiedersehen mit Palucca. In: Die Weltbühne (East Berlin), Vol. 74, Jan. 1979, pp. 11-15.

1979

(Mit Werner Korb) Visuelle Wahrnehmungsprobleme beim Aufbau chemischer Demonstrationselemente.: In: Neue Unterrichtspraxis, Vol. 12, März 1979, pp. 117-123.
E. H. Gombrich. The Sense of Order. (Rezension / Book Review).: In: The New Republic, March 10, 1979, pp. 36-38.
Fragments - good ones and bad ones.: In: Journal of Aesthetics and Art Criticism, Vol. 37, Spring 1979, pp. 351-352.
Max Beckmann's Begin the Beguine.: In: Eighty Works. The Collection of the University of Michigan Museum of Art, Ann Arbor: Univ. of Michigan Museum of Art 1979.
Some Comments on J. J. Gibson's Approach to Picture Perception.: In: Leonardo, Vol. 12, No. 2, 1979, p. 121-122.
The Melody of Motion.: (Keynote Address, Laban Centennial Celebration, Laban Institute of Movement Studies, New York, June 1979).; Derived Reprint in: To the Rescue of Art, pp. 127-132.
The tools of art - old and new.: In: Technicum (School of Engineering, University of Michigan), Summer 1979, pp. 2-9.; Reprint in: New Essays on the Psychology of Art, pp. 123-132.
The dimensions of disagreement.: In: Journal of Aesthetics and Art Criticism, Vol. 38, Fall 1979, pp. 15-20.; Derived Reprint "Objective Percepts, Objective Values" in: New Essays on the Psychology of Art, pp. 297-326.
Visual thinking in education.: In: Sheikh, Anees A. / Shaffer, John T. (eds.): The Potential of Fantasy and Imagination, New York: Brandon House 1979, pp. 215-223.; Reprint: Visual thinking in overview. In: Nodine, C. F. / Fisher, D. F. (eds.): Perception and Pictorial Representation, New York: Prager 1979, pp. xix-xxix.; Derived Reprint: "A Plea for visual thinking", in: New Essays on the Psychology of Art, pp. 135-152.
Art, poetry, and retardation.: In: Art Psychotherapy, Vol. 6, No. 4, 1979, pp. 205-211.
Perception of Perspective Pictorial Space (re: Richard Greene).: In: Leonardo, Vol. 12, No. 4, 1979, p. 349.

1980

A plea for visual thinking.: In: Critical Inquiry, Vol. 6, No. 3, Spring 1980, pp. 489-498.; Reprint in: Mitchell, W. J. T. (ed.): The Language of Images, Chicago: University of Chicago Press 1980, pp. 171-179.; Derived Reprint in: New Essays on the Psychology of Art, pp. 135-152.
William Worringer and Modern Art: Some Reflections on a 75th Anniversary.: In: Michigan Quarterly Review, Vol. 20, No. 2, Spring 1980, pp. 67-71
The Puzzle of Nadia's Drawings.: In: Arts in Psychotherapy, Vol. 7, No. 2, 1980, pp. 79-85.; Derived Reprint in: To the Rescue of Art, pp. 155-163.
Dynamics and invariants.: In: Fisher, John (ed.): Perceiving Artworks, Philadelphia: Temple University Press 1980, pp. 166-184.; Derived Reprint "Objective Percepts, Objective Values" in: New Essays on the Psychology of Art, pp. 297-326.
The reach of reality in the arts.: In: Dispositio, Vol. 5, Nos. 13/14, 1980, pp. 97-106.; Reprint in: To the Rescue of Art, pp. 27-34.
Art as therapy.: In: The Arts in Psychotherapy, Vol. 7, No. 4, 1980, pp. 247-251.; (Invited address given for the American Art Therapy Association, November 1980, Kansas City, Mo.).; Reprint in: New Essays on the Psychology of Art, pp. 252-257.
J. M. Kennedy's Commentary on my Approach to Art and Visual Perception.: In: Leonardo, Vol. 13, No. 2, 1980, p. 175.
The other Gustav Theodor Fechner.: In: Gestalt Theory, Vol. 2, No. 3/4, Dec. 1980, pp. 133-140.
Frances Pockman Hawkins. The Logic of Action: Young Children at Work. (Rezension / Book Review).: In: Canadian Review of Art Education Research, Vol. 6, 1980 & Vol. 7, 1981, pp. 183-184.
Reconsiderations. Review of Herbert S. Langfeld. The Aesthetic Attitude. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 39, No. 2, Winter 1980, pp. 201-203.
Gert Schiff. Images of Horror and Fantasy. (Rezension / Book Review).: In: Contemporary Psychology, Vol. 25, No. 10, Oct. 1980, pp. 840-841.
Drei Wünsche.: In: Inseln im Ich - ein Buch der Wünsche, München: Matthes & Seitz 1980, pp. 53-55, 217-218.
Foreword.: To: Margaret A. Hagen: The Perception of Pictures. Vol. 2, New York: Academic Press 1980.

1981

Style as a Gestalt problem.: In: Journal of Aesthetics and Art Criticism, Vol. 39, No. 3, Spring 1981, pp. 281-289.; Reprint in: New Essays on the Psychology of Art, pp. 261-273.
Frank D. Russell. Picasso's Guernica, the Labyrinth of Narrative & Vision. (Rezension / Book Review).: In: Studies in Visual Communication, Vol. 7, No. 2, Spring 1981, pp. 84-88.
(With Monroe C. Beardsley) An Exchange of Views on Gestalt Psychology and Aesthetic Explanation.: In: Leonardo, Vol. 14, No. 3, 1981, p. 220-223.
Images in time.: In: Bennington Review, No. 11, Sept. 1981, pp. 2-5.; (Chapter 9 of "Power of the Center").
On Application of the Golden Ratio in the Visual Arts (re: Roger Fischler): In: Leonardo, Vol. 14, No. 4, Fall 1981, p. 349-350.
The state of the art: an introduction.: In: Proceedings of the National Symposium for Research in Art. Review of reseach in visual arts education, No. 14, Fall 1981, pp. 1-3.
Bemerkungen zu Keilers Aufsatz über Isomorphie.: In: Gestalt Theory, Vol. 3, No. 3/4, Dec. 1981, pp. 269-273.
A Turning Point in Movement Therapy.: In: The Arts in Psychotherapy, Vol. 8, Nos. 3/4, Winter 1981, pp. 245-248.; (Rezension / Book Review: Irmgard Bartenieff. Body Movement.); Derived Reprint: "A System of Expressive Movement" in: The Split and the Structure, pp. 133-136.

1982

The Power of the Center. A Study of Composition in the Visual Arts. (Die Macht der Mitte).: Berkeley and Los Angeles: University of California Press 1982.; Revised edition (with added chapter on architecture) 1983.
Introduction to catalog for Albert Alcalay's one-man show.: Carpenter Center for the Visual Arts, Harvard University, February 1982.
William Hubbard. Complicity and Conviction: Steps toward an Architecture of Convention. (Rezension / Book Review).: In: Journal of Aesthetic Education, Vol. 16, No. 1, Spring 1982, pp. 435-436.
Foreword.: To: Ellen Winner: Invented Worlds; the Psychology of the Arts, Cambridge, Mass.: Harvard University Press 1982.
A Critical Account of some of Josef Albers' Concepts of Color (re: Alan Lee).: In: Leonardo, Vol. 15, No. 2, Spring 1982, p. 174-175.
Le arti e la psicologia.: In: Pizzo Russo, Lucia (ed.): Estetica e Psicologia, Bologna: Società Editrice il Mulino 1982, pp. 13-15.
Appreciation of Dr. J. Frank Malina.: In: Leonardo, Vol. 15, No. 3, Summer 1982, p. 256.
Review of "Structure in Science and Art" by Peter Medawar and Julian H. Shelley.: In: Leonardo, Vol. 15, No. 4, Fall 1982, p. 316.
An Interview with R.A., by Elaine Flory Fisher.: In: Design for Arts in Education, Sept./Oct. 1982, pp. 4-7.
Beyond the Graces and the Muses.: In: Fforum. Newsletter of the English Composition Board, University of Michigan, Vol. 4, No. 1, Fall 1982, pp. 60-63.
Peter Fuller. Art and Psychoanalysis. (Rezension / Book Review).: In: Contemporary Psychology, Vol. 27, No. 3, 1982, pp. 210-211.
F. David Martin. Sculpture and Enlivened Space. (Rezension / Book Review).: In: Journal of Aesthetics and Art Criticism, Vol. 40, No. 4, Summer 1982, pp. 435-436.
Umblättern, immer umblättern ...: Introduction to: Fridhelm Klein: Erkundungen, München: Prestel Verlag 1982.

1983

Style as a gestalt problem.: In: Gestalt Theory, Vol. 5 (1), March 1983, pp. 3-15.
Victor Lowenfeld and Tactility.: In: Journal of Aesthetic Education, Vol. 17, Summer 1983.; Reprint in: To the Rescue of Art, pp. 240-251.
On Rauschenbach's Paper (re: inverted perspective; Boris V. Rauschenbach).: In: Leonardo, Vol. 16, No. 4, 1983, p. 334.
Forty-five Years After Guernica.: In: Michigan Quarterly Review, Vol. 22, Winter 1983, pp. 1-8.; Reprint as: Picasso at Guernica. In: To the Rescue of Art, pp. 74-81.
The Rationale of Deformation.: In: Art Journal, Winter 1983, pp. 319-324.; Reprint as: Caricature. The Rationale of Deformation. In: To the Rescue of Art, pp. 101-114.
On Duplication.: In: Dutton, Denis (ed.): The Forger's Art, Berkeley and Los Angeles: University of California Press 1983.; Reprint in: New Essays on the Psychology of Art, pp. 274-284.

1984

Perceptual Dynamics in Musical Expression.: In: Musical Quarterly, Vol. 70, Summer 1984.; Reprint in: To the Rescue of Art, pp. 214-227.
Review of "Distortion in Art: The Eye and the Mind" by J. B. Deregowski.: In: Leonardo, Vol. 17, No. 4, 1984, p. 302.

1985

Zwischenrufe. Kleine Aufsätze aus den Jahren 1926-1940.: Herausgegeben und mit einem Vorwort von Ursula Madrasch-Groschopp sowie mit einem Nachwort von Rudolf Arnheim. Textauswahl unter Mitarbeit von Klaus Pankow.; Leipzig und Weimar: Gustav Kiepenheuer Verlag 1985. (Gustav Kiepenheuer Bücherei 61).
Psychology and aesthetics.: In: Koch, Sigmund / Leary, David E. (eds.): A century of psychology as science, 1985 (reprinted 1992), pp. 855-865.
In Favor of Confrontation.: In: Salmagundi, No. 67, Summer 1985, pp. 129-134.; Derived Reprint in: To the Rescue of Art, pp. 3-6.
Review of "Picasso, Guernica" by Eberhard Fisch; "Picasso's Guernica after Ruben's Horrors of War" by Alice Doumenian Tankard.: In: Leonardo, Vol. 18, No. 2, 1985, p. 116.
The Role of Projective Geometry and Perspective.: In: Leonardo, Vol. 18, No. 2, 1985, p. 126.
The Struggle for Law and Order.: In: Michigan Quarterly Review, Vol. 24, Spring 1985, pp. 169-175.; Derived Reprint: "Two Ways of Being Human" in: The Split and the Structure, pp. 165-168.
The Double-Edged Mind: Intuition and the Intellect.: In: Eisner, Elliot W. (ed.): Learning the Ways of Knowing. 85th Yearbook of the National Society for the Study of Education, Chicago 1985.; Reprint in: New Essays on the Psychology of Art, 1986, S. 13-30.
The other Gustav Theodor Fechner.: In: Koch, Sigmund / Leary, David E. (eds.): A Century of Psychology as Science, New York: McGraw-Hill 1985.; Reprint in: New Essays on the Psychology of Art, 1986, S. 39-49.

1986

New Essays on the Psychology of Art. (Neue Beiträge).: Berkeley and Los Angeles: University of California Press 1986 (Paperback).
The artistry of psychotics.: In: American Scientist, Vol. 74 (1), Jan.-Feb. 1986, pp. 48-54.; Derived Reprint in: To the Rescue of Art, pp. 144-154.
To the Rescue of Art.: In: Leonardo, Vol. 19, No. 2, 1986, p. 95.
The Two Faces of Gestalt Psychology.: In: American Psychologist, Vol. 41 (7), July 1986, pp. 820-824.; Reprint in: To the Rescue of Art, pp. 206-214..
The Trouble with Wholes and Parts.: In: New Ideas in Psychology, Vol. 4 (3), 1986, pp. 281-284.
A Reply to Hochberg and Perkins.: In: New Ideas in Psychology, Vol. 4 (3), 1986, pp. 301-302.
The Images of Pictures and Words.: In: Word & Image, Vol. 2, October-December 1986, pp. 306-310.; Derived Reprint in: To the Rescue of Art, pp. 45-52.

1987

Visual Aesthetics.: In: Eliade, Mircea (ed.): The Encyclopedia of Religion, New York: Macmillan 1987.; Derived Reprint as: Art as Religion. In: To the Rescue of Art, pp. 227-
Review of "Alles Veloziferisch: die Eisenbahn, vom Ungeheuer zur Ästhetik der Geschwindigkeit".: In: Leonardo, Vol. 20, No. 1, 1987, p. 99.
Progress in Color Composition.: In: Leonardo, Vol. 20, No. 2, 1987, p. 165.
Review of "World War I and the Weimar Artists: Dix, Grosz, Beckmann, Schlemmer" by Matthias Eberle.: In: Leonardo, Vol. 20, No. 2, 1987, p. 199.
Concerning Isomorphism (re: Roy R. Behrens).: In: Leonardo, Vol. 20, No. 2, 1987, p. 210.
The Reading of Images and the Images of Reading.: In: Hefferman, James A. W. (ed.): Space, Time, Image, Sign, New York: Peter Lang 1987.; Derived Reprint in: To the Rescue of Art, pp. 45-52.
Praegnanz and its discontents.: In: Gestalt Theory, Vol. 9 (2), June 1987, pp. 102-107.
The State of the Art in Perception.: In: Leonardo, Vol. 20, No. 4, 1987, p. 305.
A Maverick in Art History.: (Lecture at the Convention of Midwestern Art History in Ann Arbor, 1987).; Derived Reprint in: The Split and the Structure, pp. 104-110.

1988

The Power of the Center. Revised Version. (Die Macht der Mitte. Neufassung).: Berkeley and Los Angeles: University of California Press 1988.
Universals in Art.: In: Journal of Science and Biological Structures, (11), No. 1, January 1988, pp. 60-65.
Sculpture. The Nature of a Medium.: In: Barnouw, Erik (ed.): International Encyclopedia of Communications, Oxford: Oxford University Press 1988.; Derived Reprint in: To the Rescue of Art, pp. 82-91.
Reply to Peter Dodwell and Bela Petheo.: In: Leonardo, Vol. 21, No. 2, 1988, p. 226.
Symmetry and the Organization of Form: A Review Article.: In: Leonardo, Vol. 21, No. 3, 1988, pp. 273-276.
Review of "Arrest and Movement. An Essay on Space and Time in the Representational Art of the Near East" by H. A. Groenewegen-Frankfort.: In: Leonardo, Vol. 21, No. 3, 1988, p. 330.
Review of "Fearful Symmetry: The Search for Beauty in Modern Physics" by A. Zee.: In: Leonardo, Vol. 21, No. 4, 1988, p. 457.
Confessions of a Maverick.: In: Salmagundi, Nos. 78-79, Summer 1988, pp. 44-53.
Visual Dynamics.: In: American Scientist, Vol. 76, November-December 1988, pp. 585-591.; Derived Reprint in: To the Rescue of Art, pp. 35-44.
Osservazioni sul colore in Delacroix.: In: Eidos. Rivista di Arti, Letteratura e Musica, (3), December 1988, pp. 36-39.

1989

Parables of Sun Light. Observations on Psychology, the Arts and the Rest.: Berkeley and Los Angeles: University of California Press 1989. (Paperback 1990).
Review of "Secret Teachings in the Art of Japanese Gardens: Design Principles, Artistic Values" by David A. Slawson.: In: Leonardo, Vol. 22, No. 1, 1989, p. 126.
What became of Abstraction?: In: Salmagundi, Nos. 82-83, Spring-Summer 1989, pp. 70-71.; Italian Translation: Che fine ha fatto l'arte astratta?. In: Lerrera Internazionale (5), No. 22, 1989, pp. 44-46.; Derived Reprint in: To the Rescue of Art, pp. 15-23.
Reply to Arthur Loeb.: In: Leonardo, Vol. 22, No. 2, 1989, p. 282.
Max Wertheimer. (Spoken at the Memorial Meeting for Max Wertheimer at the New School for Social Research, New York City, on November 10, 1943).: In: Psychological Research, Vol. 51, No. 2 (Max Wertheimer Memorial Issue), 1989, pp. 45-46 (with pencil drawing of Wertheimer by R.A., 20.5.1942).
Die verschwindende Welt und Köhlers Tintenfaß (The disappearing world and Koehler's ink-well).: In: Gestalt Theory, Vol. 11 (3), Sep. 1989, pp. 191-198.
Rudolf Arnheim antwortet (Reply to Stadler and Kruse).: In: Gestalt Theory, Vol. 11 (4), Dec. 1989, pp. 268-270.
Zum Thema von Zufall und Gesetzlichkeit (On the topic of chance and lawfulness).: In: Gestalt Theory, Vol. 11 (4), Dec. 1989, pp. 268-270.
Writer's Pointers.: In: Morris, Barbara S.: Disciplinary Perspectives on Thinking and Writing. Ann Arbor: English Composition Board, Univ. of. Michigan 1989; Reprint in: To the Rescue of Art, pp. 53-58.
In the Company of the Century.: In: Cross Currents, Vol. 8, 1989, pp. 145-151.; Reprint in: To the Rescue of Art, pp. 236-243.

1990

Thoughts on Art Education.: Los Angeles: Getty Center for Education 1990.
The Artist as Healer.: In: The Arts in Psychotherapy, Vol. 17, Spring 1990, pp. 1-4.; Reprint in: To the Rescue of Art, pp. 164-171.
Zur Psychologie der Kunst und ihrer Geschichte.: In: Sitt, Martina (Hrsg.): Kunsthistoriker in eigener Sache. Zehn autobiographische Skizzen, Berlin: Dietrich Reimer Verlag 1990, S. 201-218.
Review of "Art and Physics: Biological Aspects of Aesthetics" by Ingo Rentschler, Barbara Herzburger and David Epstein.: In: Leonardo, Vol. 23, No. 1, 1990, p. 144.
The Vanishing World and Koehler's Inkwell.: In: Rock, Irvin (ed.): The Legacy of Solomon Asch: Essays in Cognition and Social Psychology, Hillsdale, N.J.: Lawrence Erlbaum Assoc. 1990, pp. 271-278.; Derived Reprint in: To the Rescue of Art, pp. 3-6.
Perceptual Aspects of Art for the Blind.: In: Journal of Aesthetic Education, Vol. 24, No. 3, Fall 1990, pp. 57-65.; Reprint in: To the Rescue of Art, pp. 133-143.
Review of "The Mind's Eye: Readings from 'Scientific American'".: In: Leonardo, Vol. 23, No. 4, 1990, pp. 445-446.
(With Harry Rand and Robert Bertholf) Julian Stanczak: Decades of Light: University of Buffalo, Poetry and Rare Book Collection, 1990

1991

Outer Space and Inner Space.: In: Leonardo, Vol. 24, No. 1, 1991.; (Presented at "Arttransition" for the Center for Advanced Visual Studies at MIT, October 1990).; Reprint in: The Split and the Structure, pp. 42-44.
Review of "The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat" by Martin Kemp.: In: Leonardo, Vol. 24, No. 1, 1991, p. 92.
Beyond the Double Truth.: In: New Ideas in Psychology, Vol. 9 (1), 1991, pp. 1-8.; Reprint in: To the Rescue of Art, pp. 217-226.
Review of "Seeing Voices. A Journey into the World of the Deaf" by Oliver Sacks.: In: Leonardo, Vol. 24, No. 3, 1991, p. 364.
The Dynamics of Problem Solving.: In: Gestalt Theory, Vol. 13 (4), Dec. 1991, pp. 205-209.; Reprint in: The Split and the Structure, pp. 174-178.
Perception, Cognition, and Visualization.: In: Journal of Biocommunication (18), No. 2, 1991, pp. 2-5.

1992

But is it science?: Cupchik, Gerald C. / Laszlo, Janos (eds.): Emerging Visions of the Aesthetic Process: Psychology, Semiology, and Philosophy, New York: Cambridge University Press 1992, pp. 27-36.; Reprint in: To the Rescue of Art, pp. 175-184.
To the Rescue of Art. Twenty-six Essays.: Berkeley and Los Angeles: University of California Press 1992. (Hardcover + Paperback).; Originalbeiträge: Art among the Objects (pp. 7-14), For your Eyes only. Seven Exercises in Art Appreciation (pp. 61-73), Negative Space in Architecture (pp. 92-100), Art History and Psychology (pp. 115-123), Complementarity from the Outside (pp. 185-192), Interaction. Its Benefits and Costs (pp. 193-199), What is Gestalt Psychology (pp. 200-205).
Review of "The Challenge of Art and Psychology" by Seymour B. Sarason.: In: Leonardo, Vol. 25, No. 1, 1992, p. 98.
The Split and the Structure.: In: Michigan Quarterly Review, Vol. 31, No. 2, Spring 1992, pp. 195-204.; Reprint in: The Split and the Structure, pp. 3-12.
Gauguin's Homage to Honesty.: In: Leonardo, Vol. 25, No. 2, 1992.; Reprint in: The Split and the Structure, pp. 85-91.
Deus ex Machina.: In: British Journal of Aesthetics, Vol. 32, No. 3, 1992.; Reprint in: The Split and the Structure, pp. 97-103.
Why Aesthetics Is Needed.: In: The Arts in Psychotherapy (19), No. 3, Fall 1992, pp. 149-151.

1993

Zauber des Sehens.: (Interviewband, herausgegeben von Ingo Hermann).; Göttingen: Lamuv-Verlag 1993.
Review of "Goethe's Botanical Writings" Bertha Mueller, transl.: In: Leonardo, Vol. 26, No. 1, 1993, p. 85.
Review of "Symmetrie, Bauplan der Welt" by Henning Genz.: In: Leonardo, Vol. 26, No. 1, 1993, p. 87.
From Pleasure to Contemplation.: In: Journal of Aesthetics and Art Criticism, Vol. 51, No. 2, Spring 1993, pp. 195-197.; Reprint in: The Split and the Structure, pp. 73-77.
The Way of the Crafts.: In: Design Issues, Vol. 9, Spring 1993.; Reprint in: The Split and the Structure, pp. 33-41.
Sketching and the Psychology of Design..: In: Design Issues, Vol. 9, Spring 1993.; Derived Reprint: "Drawings in Design" in: The Split and the Structure, pp. 52-56.
Notes on Religious Architecture.: In: Languages of Design, Vol. 1, 1993, Amsterdam: Elsevier Science B.V.; Reprint in: The Split and the Structure, pp. 57-62.
Foreword to: Garau, Augusto: Color Harmonies. Translated by Nicola Bruno.: Chicago/Ill.: Univ. of Chicago Press (May) 1993, pp. vii-xiv.
Review of "Changing Images" by William V. Dunning.: In: Leonardo, Vol. 26, No. 2, 1993, p. 172.
Review of "Rethinking the Forms of Visual Expression" by Robert Sowers.: In: Leonardo, Vol. 26, No. 2, 1993, p. 172.
Review of "Art and Physics: Parallel Visions in Space, Time and Light" by Leonard Shlain.: In: Leonardo, Vol. 26, No. 2, 1993, p. 262.
A God's Perfection.: In: Michigan Quarterly Review, Vol. 32, Fall 1993.; Reprint in: The Split and the Structure, pp. 83-84.
Learning by Looking and Thinking.: In: Educational Horizons, Vol. 71, No. 2, Winter 1993, pp. 95-98.; Derived Reprint in: The Split and the Structure, pp. 113-119.
The Face and the Mind behind It.: In: Esthetics and the Treatment of Facial Form, Center for Human Growth and Development, University of Michigan 1993.; Reprint in: The Split and the Structure, pp. 139-143.
(With Jacqueline Shinners) Julian Stanczak: Color = Form (exh.cat.): Dennos Museum Center, Northwestern Michigan College, 1993

1994

Review of "Leonardo da Vinci: The Daedalian Mythmaker" by Giancarlo Maiorino.: In: Leonardo, Vol. 27, No. 1, 1994, p. 83.
The Completeness of Physical and Artistic Form.: In: British Journal of Aesthetics, Vol. 34, No. 2, 1994.; Reprint: "Form as Creation" in: The Split and the Structure, pp. 151-155.
Artistry in Retardation.: In: The Arts in Psychotherapy, Vol. 21, No. 5, 1994, pp. 329-332.; Reprint in: The Split and the Structure, pp. 126-132.
Consciousness - an Island of Images.: In: Journal of Theoretical & Philosophical Psychology, Vol. 14 (2), Fall 1994, pp. 121-127.; Reprint in: The Split and the Structure, pp. 144-150.
Review of "Hand and Mind: What Gestures Reveal about Thought" by David McNeil.: In: Leonardo, Vol. 27, No. 4, 1994, p. 358.
Review of "Spiritual Space: The Religious Architecture of Pietro Belluschi" by Meredith Clausen.: In: Leonardo, Vol. 27, No. 4, 1994, p. 358.
Two Sources of Cognition.: In: Advances in Visual Semiotics, Berlin: Mouton de Gruyter 1994.; Reprint in: The Split and the Structure, pp. 17-23.

1995

A Look at a Century of Growth..: In: Child Development. Art Anthology, National Art Education Association 1995.; Derived Reprint: "As I Saw Children's Art" in: The Split and the Structure, pp. 120-125.
Review of "The Origin of Perspective" by Hubert Damisch, John Goodman, transl.: In: Leonardo, Vol. 28, No. 1, 1995, p. 75.
Review of "Picture Theory: Essays on Verbal and Visual Representation" by W. J. T. Mitchell.: In: Leonardo, Vol. 28, No. 1, 1995, p. 75.
Review of "George Rickey in Berlin, 1967-1992" edited by Jörn Merkert and Ursula Prinz.: In: Leonardo, Vol. 28, No. 1, 1995, p. 76.

1996

From Chaos to Wholeness.: In: Journal of Aesthetics and Art Criticism, Vol. 54, 1996.; Reprint in: The Split and the Structure, pp. 156-162.
The Split and the Structure.Twenty-eight Essays.: Berkeley and Los Angeles: University of California Press 1996. (Hardcover + Paperback).; Originalbeiträge: Learning by What Is Around, pp. 13-16; The Symbolism of Light, pp. 78-82; The Echo of the Mountain, pp. 92-96.
Review of "Visual Literacy: Image, Mind and Reality" by Paul Messaris.: In: Leonardo, Vol. 29, No. 1, 1996, p. 77.

1997

Review of "The Body and the Self" by José Luis Bermudéz, Anthony Marcel and Naomi Eilan.: In: Leonardo, Vol. 30, No. 1, 1997, p. 70.
Review of "Engineering A New Architecture" by Tony Robbin.: In: Leonardo, Vol. 30, No. 2, 1997, p. 159.

1998

Wolfgang Koehler and gestalt theory: An English translation of Koehler's introduction to Die physischen Gestalten for philosophers and biologists.

In: History of Psychology, Vol. 1 (1), Feb. 1998, pp. 21-26.

Review of "Siegfried Kracauer and Erwin Panofsky: Briefwechsel 1941-1966" edited by Volker Breidecke.

In: Leonardo, Vol. 31, No. 1, 1998, pp. 74-75.

Beginning with the Child.

In: Fineberg, Jonathan (ed.): Discovering Child Art. Essays on Childhood, Primitivism and Modernism. Princeton, New Jersey: Princeton University Press 1998, pp. 15-26.

Frontispiece: Child's drawing (Margaret, age 6), Man carrying a basket of Easter eggs - "To Rudi."

Reprint in: Fineberg, Jonathan (ed.): When We Were Young. New Perspectives on the Art of the Child. Berkeley and Los Angeles: University of California Press, August 2006 (Exhibition Catalog).

1999

Buildings and Human Figures Aware of Each Other.: In: Leonardo, Vol. 32, No. 3, 1999, pp. 197-198.
On the integration of gestalt theory.: In: Gestalt Theory, Vol. 21 (3), Nov. 1999, pp. 178-180.
Gestalten and Computers.: In: Gestalt Theory, Vol. 21 (3), Nov. 1999, pp. 181-183.

2000

The Coming and Going of Images.: In: Leonardo, Vol. 33, No. 3, 2000, pp. 167-168.
(Rudolf Arnheim, Simon Dinnerstein, John Russell) Simon Dinnerstein: Hudson Hills 2000, 126 S.; (includes: Arnheim, Rudolf: Pictures of the Lasting World).

Posthum

Rudolf Arnheim 100 Notes - 100 Thoughts / 100 Notizen - 100 Gedanken / No. 100: Introduction / Einführung: Carolyn Christov-Bakargiev; dOCUMENTA (13), Ostfildern: Hatje Cantz Verlag 2012 (n. pag.); (Reprint von 34 Seiten aus "Kunst und Sehen", 1954, mit handschr. Anm. v. Christov-Bakargiev).